We say we’re not going to fight capitalism with black capitalism, but we’re going to fight it with socialism. We’re going to fight racism not with racism, but we’re going to fight with solidarity. “We don’t think you fight fire with fire best we think you fight fire with water best. It sounds like the fat cats Hampton railed against when said the famous quote:
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When Nas paints the image of a mafioso-style meal at an upscale restaurant in his Hit-Boy collaboration “ E.P.M.D.,” it does not call to mind a reflection of the austere Panther Party ethos of free lunches and clinics for downtrodden ghetto neighborhoods. Throughout the film, the only one who gets portrayed driving a fancy car, eating lavish dinners, smoking Cuban cigars - at the height of political tensions with the island nation, no less - and counting his stacks is O’Neal, often in the company of his FBI handler Roy Mitchell.
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If anything, the gold-plated tales many of them spin set them firmly on the side of the Judas, William “Wild Bill” O’Neal, the FBI informant portrayed by LaKeith Stanfield, who spends the entirety of the movie being hoodwinked, bamboozled, manipulated, and ultimately threatened into betraying the unifying leader of the Panthers and the burgeoning Rainbow Coalition. With scant exceptions, none of these rappers should be on a project “inspired” by this film’s story. The awkward moment is a microcosm of the problem with the Judas And The Black Messiah soundtrack project: As a compilation, it’s sonically engaging and thematically cohesive, for the most part, but it sounds like it should be the soundtrack to some other film. In the lyrics to “ What It Feels Like,” Jay’s first collaboration with Nipsey Hussle, the Brooklyn rapper finally addresses Hampton Jr.’s comments, revisiting his “Murder To Excellence” bar with an amendment: “I arrived on the day Fred Hampton got mur– hold up - assassinated, just to clarify it further.” If the new line is meant as a mea culpa, it’s a poor one. Ten years later, Jay-Z appears on the soundtrack of the film Judas And The Black Messiah, a newly released crime thriller about the assassination plot against Fred Hampton Sr. Saying Fred Hampton died is like the school teacher telling students that Christopher Columbus discovered America.” He’s also noted calling Jay “Slave Z” and questioning the motivation for the lyrical salute, as Jay-Z’s Black capitalism is as far away from the Black Panthers’ democratic socialism as it’s possible to be. objected to Jay-Z’s rhyme, saying, “Fred Hampton didn’t die. Shortly after the song’s release in 2011, Fred Hampton Jr. Ten years ago, on the Watch The Throne album cut “ Murder To Excellence,” Jay-Z name-checked Illinois Black Panther chapter chairman Fred Hampton, rapping, “I arrived on the day that Fred Hampton died.” The line is a reference to the coincidence of Decemboth Jay-Z’s birthday and the day the FBI conspired to have Hampton murdered at home during a raid in which federal agents fired over 99 shots to the Panthers’ one.
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